phat bass heeavy lp album

first compilation on mouche contains four excellent dub techno jewels cooked by ivano tetelepta & benito martino, chris carrier, tm shuffle & ittara and merv.

spearheaded by ciel, and newcomers daniel 58, and yohei s, parallel minds is a group of like-minded musicians, djs, and graphic artists working together to bring compelling, progressive electronic music from toronto, canada to the rest of the world.

soul jazz records presents fashion records: style & fashion - a-class top notch hifi sounds in fine style. heavyweight triple vinyl plus download code.

pianist hendrik lasure is one of the greatest talents the belgian jazz scene

es ist ein neues jahr und wie kann man es besser feiern als mit einer neuen veröffentlichung und einem neuen künstler. als liluzu debütiert lachlan mcgeehan auf kalahari oyster cult mit what s your star sign. mcgeehan gehört zu australiens wachsendem pool an musikalischen talenten und kombiniert eine vielzahl von einflüssen und stilen, um zu seiner eigenen einzigartigen klangpersönlichkeit zu gelangen.

feel like beat street -- remastered on white color vinyl

incl .roland, carl watson , charles vernon on, love dream, fancy and more

heavenly brings us the debut album from audiobooks. the vinyl release includes a download code.

in 2015, tresor records welcomed shao yanpeng as the first chinese artist to contribute to the label’s catalogue. shao is based in beijing, china, where he has been making electronic music since 2002, and pursues his career as a producer and sound designer. tresor records is now proud to present shao’s new long player, doppler shift. meticulously built compositions, feverish synth journeys and suspenseful ascensions make up the signature sound of shao’s work, at times contemplative and expressive at others. doppler shift releases on 180g. vinyl lp, incl. a download code giving access to all titles plus 3 bonus.

this is a reissue of a short-lived and obscure uk dance music label. a compilation of tracks featured on releases across 3 ep’s between 1991 and 1993 incorporating recently emergent dub techno and progressive acid house sounds. nation of noise was conceived in the early 90 s, following a meeting of minds between the producer and ambient soho mainstay django, and vocalist jon martin (of pizzaman fame) at the legendary soho institution: the brain. plate 1 is a fully remastered reissue of the first nation of noise record - xes noiz, featuring 4 locked grooves. plate 2 takes two tracks off both the lockgroove and super bubble ep s. one side is smooth, after-hours deep house whilst the other reaches for two progressive, acid cuts. fully remastered.

ultimate block party breaks volume 6 continues the tradition that began in the bronx in the 1970’s, where “break djs” would take that one part of the record that dancers would go absolutely crazy for. that part where all the music breaks down to nothing but the essence: drums and percussion. these are all truly timeless beats that sound as fresh today as they did when the founding fathers like kool herc, bam, flash and hollywood were catching them for the frst time in community centers throughout the city. we’ve edited and extended these breaks for maximum effect on the dancefloor - so you don’t have to. enjoy!

- 2 x 140g 12” vinyl - black gatefold sleeve - gold foil text - download card for wav files - original artwork by megan dixon / ora project innovative future beats duo ivy lab are set to release ‘death don t always taste good’, their debut album proper, t

kdj style house belters that have been getting major support from motor city drum ensemble, bradley zero and glenn astro to name a few.
organic in both sound and nature, ‘konkahs’ is a product of the producer’s extensive musical exploration up to this point and a creation of fineness. with just snippets of garvey’s delicious voice lacing the track, focus remaing on the slick instrumental layers of a dreamy bassline, ambient, jazzy keyboard melodies and vivid percussion. each one as divine as the next and all carried by a chilled 111 bpm tempo. cb describes the ‘be-side’ as the ‘bubble and squeak’ of the ep, using up any ‘left overs’ from the single. with 12 minutes of gorgeous simplicity and woozygrooves, it seems the ‘be-side’ is as integral to the identity of the ep as the a-side

lionsprintcomplete intenthousand practicesthus comeone a mysterious box arrived at the office labelled tsho-drong zimpo. inside were incense sticks, a bubble wrapped dat tape with a telephone number on it. we lit the sticks, ran the dat and a call was made almost immediately.

memory disks. volume one. chevron. the blackpool born sorcerer is conjuring up spellbinding tracks that boil and bubble between supernatural rave, occult acid and inverted techno. dripping from speakers, a concoction of swirling chords simmer as a spiced shower of razor edged rhythms are poured into the pot. shadowy notes ghost like phantoms behind crunching beats, beastly bars growl as keys slide and slither between nine short, medium and long excursions into the glow-stick festooned musical mind of jonathan valentine. nestled amongst the bewitching synthesizer psychedelia, peering from behind the purple forests and white dwarf frogs, are less frenetic works, a soft balance to the frenzied chicanery and chrome plated magic. simply put, a weird and wonderful ep where the only stable point, the only spot of secured safety, is the needle on the record.

an artist as versatile as alex krüger is a rare find these days, not only did he release numerous eps and albums as tigerskin or korsakow since the mid 90s, hes also been on the forefront of the dub techno movement since 1999 with outings on classic labels such as raum…musik, force tracks and 3b/ united states of mars. now ten years after his last album on opossum recordings alex is back with this well crafted genre bending full length caves & cages. from deep techno cuts through rippling ambient excursions to funky reggae infused live jams with haushausen this work is yet another milestone in the creative bubble alex lives in (i.e. his studio)

“music of the stars” and “music to get lost to” are words thoughts expressed about tross’ music. the band have always had the ability to place the listener in a bubble of introspection and escapism.. in the most positive way! hence such opinions.

12 years after his stellar two/three release, dabrye aka tadd mullinix follows up strong with the final and third volume!

parisian producer brice groulier has built a reputation as one of the new guard of techno artists to watch closely with consistently high quality sub aquatic, rhythm shifting techno for labels like semantica, midgar, planet rhythm, and modularz. while looking for music that integrated with our grey area releases, we found ourselves blending more von grall tunes than any other artist, so a horo release was requested. what originally began as a 4 track ep bloomed into an 8 track debut album that sees von grall expand his style beyond the muscular but hazy rhythmic mist he has become known for. the title track infinitum opens the lp like a contemplative bubble. hyper density and inside are pensive, evocative jogs, while emerald city and disturbance ramp up the energy and will be the most favoured floor tunes from infinitum. antonym allegory combines the von grall rhythmic bounce with an emotive pad that will echo in your mind long after listening. motel closes the lp with a quirky, almost joyful flow. infinitum wanders confidently into new ground for von grall and cements him as a versatile and singular voice in techno.

the second single of prins thomas brand new 5th album gets unveiled with a remixes and bonus beats by our dear friends the pilotwings ! thomas on lunga strada: the track that took me the longest to complete hence the long road. personal favourites the pilotwings from lyon sent over 2 ridiculously good and fun remixes which will be released on this separate 10inch prins thomas dec 8, 2017

played by ricardo villalobos - its time for the next release on long-running paris label bass culture and owner d julz has invited a crack team of talented individuals to deliver the magic to this latest instalment in the label s release schedule. this extra special remix package features contributions from the legendary dj skull, along with sebo k, henrik bergqvist and romanian mp. the bossman s own 2015 ep houdini is the subject of this exquisite bunch of reworks, giving the whole release a fresh lick of paint from a group of artists handpicked by d julz to get to work on his productions. the title track houdini is first in line, with the mighty dj skull on remix duty. the chi-town legend has been a favourite of d julz since the early nineties when he was releasing on labels such as djax-up-beats. the funk-imbued workout he creates from the original production is superb and a testament to someone who has been involved in music for three decades and still going strong. keeping dj skulls remix company on the a-side is sebo k with his take on serendipity. following on from his outstanding ep brock wild, sebo returns to bass culture with another taught dance floor cut, full of swing and groove, pushed along with a strong, insistent energy. on the flipside the deep sultry flavours continue to bubble up. two more dynamic artists bring their unique touch to bass culture and the first is the romanian wonderkid mp (mihai popescu), who has previously released on the sub-label bass culture limited. his reinterpretation of serendipity is deep, nuanced and quirky with a simmering atmosphere throughout.last but certainly not least is the swedish maestro henrik bergqvist. waiting 4 visa gets a kick in its step, with mysterious cosmic fx layered over a mesmerising bassline and a collection of bleeps and chirps that really bring the remix to life. and there it is, four superb new mixes of three great tracks... enjoy!

following on from nick cave & warren ellis score to wind river, we are delighted to bring you more soundtrack music from the pair. the score to war machine is pressed on 2 x white coloured vinyl and housed in a deluxe heavyweight gatefold sleeve with beautiful art and stills from the film. the vinyl is cut at 45rpm for optimal audio quality!
war machine is a new netflix film, directed by david michôd and starring brad pitt, tilda swinton, and others.

b.k.r is the techno project of simon baker, presenting four dancefloor fillers on duskys 17 steps. the ep starts with bubble & squeak, a collaboration with jamie jones which is a groovy number flecked with gentle synths. fly is a techno track, where dark and broody tones push through a continuum of crashing percussions. dis is punchy, energetic and bold, and das rounds off the release, with b.k.r skillfully playing with layers of percussion and a serene melody.

25th anniversary edition of paul simon’s legendary album “graceland”.

nice price deal !!!

9 volt releases # 4, 12 & 25 all bundled up for one special price!

“i’ve said it before, but dancehall and its influence on uk music has been a massive inspiration for me, going way back to hearing chris goldfinger on radio 1 playing music that was like nothing else i’d heard before. i love that fundamental rhythmic pattern, and i love how within the same world you can have some tunes that are built around the sweetest melodies and harmonies, and others that are built around super-tuff minimal drums and crazy squeeks and bleeps.
when it came time to build another ep for critical, i decided to link up with my good friend and long-time collaborator rider shafique, who has a much deeper knowledge of this music than me, and together create something that references both old and new dancehall, while still being playable in the kinds of sets i ve become known for. there’s no halftime and no chopped-up jungle breaks here - we wanted to make something really focussed and even disciplined - and hopefully we’ve succeeded.
big shouts to the vocal collaborators - super hyped to work with stush on a tune, irah came through with the righteous fire, and tiffanie malvo absolutely bodied her beat - but ultimate biggups have to go to rider. this wasn’t a project where i made the beats and rider voiced them - for pretty much every tune, we worked and reworked the riddims together. we’re both stoked on the results, and it seems like people in the dance feel the same way.” - sam binga

london based disco outfit faze action team up with celebrated anglo/brazilian artist, nina miranda for proto house crossover. faze action have always managed to take different musical traditions and blend them to create sounds that are somehow familiar whilst simultaneously containing the unexpected. last year s mangwana, featured long time faze action collaborator, zeke manyika, singing in his native zimbabwean shona over faze action s infectious disco production. this time, british/brazilian singer, artist and all round creative force de majeur, nina miranda, takes things further with her invitation to vamos pintar or let s paint, in portuguese. on the surface there is the familiar faze action restyled proto house but it soon becomes apparent that the brothers have appropriated more than just a brazilian vocal. punchy 808 drums and fizzy synths are infused with brazilian caixa and pandaro as if they had always been designed to co-exist. the remixes come from the illustrious max essa, whose british born/tokyo resident background chimes well with the international nature of this latest offering. his slo-mo bubble dub simmers with mediterranean sun that reclines into romantic piano flourishes and dubbed out vocals, whilst the extended dub manages to draw out the original elements at their original tempo. faze action s own paradise 90 dub closes the package by keeping close to the original arrangement with added economy and plenty of dub delay of course.

tbd, the decade-old project from doug lee (an-i) and justin van der volgen, is back! known for their set-defining big room monster jams, below sees them on a deep, heavy and very trippy analogue tip. synths wheeze and bubble while a thick syncopated bass and a giant kick drum keep the proceedings firmly locked to the dance floor. on the flip, legendary japanese dj and producer dj kent steps up on remix duty under his the backwoods alias. building off the original, he adds sharp percussion and tastefully refocuses the track, creating a perfect complimentary mix to the a-side.

following their 50th release milestone cpu celebrate 5th anniversary with a 2x12- lp remix compilation. cpu has been reticent in regards to remixes, with a grand total of zero during its first five years of existence. this all changes with this dedicated remix compilation celebrating the label s 5th anniversary. the exalted roster have chosen their favourite tracks to remix from the label s back catalogue and are brought together in a very special 2x12- gatefold sleeve. b12, jensen interceptor and morphology all make an appearance alongside some of the label s seldom seen artists. there is also a posthumous microlith remix of tryphème - mélodramatique. electro has again proven its staying power and cpu has played a key role in championing some of the genre s greatest: bringing new artists to the front line and cementing the status of the established. this five year celebration showcases the diverse tastes and backgrounds of the roster, crossing many genre boundaries - all executed with precision and attention to detail that the label is known for.

following a splendid album release from falke earlier this year, now comes a remix selection that linked friends and personal idols: samo dj, vakula, perm & ergin erteber (1/2 of things from the basement). utilising the original stems to rebuild unique characteristic jams. o.n.g. – versions satisfies with hypnotic percussions, etheral grooves, varied velocities and cryptic 80s references.

after the acclaimed release of nature boy s ruff disco volume one, frame of mind is back with another re-issue of a 25 year old record. gerd s very first house release called afterglow, produced under the alias of it s thinking together with two of his (highschool) friends mark and dirk-jan, was picked up by john acquaviva for release on the short lived plus 8 subsidiary called malego back in 1992. the ep features five warm and atmospheric house tracks recorded at a dark attic room somewhere in the west of holland in 1991. these days afterglow is quite a sought after record that rarely turns up cheap on discogs. we are proud to be able to offer you limited copies of this re-mastered package.

super limited edition fluorescent cassette tape with hand-drawn cover and bubble wrap case. 1 hour and 10 minutes of old skool vinyl mixed by andrea benedetti aka sprawl. from techno to electro to breaks and electronic madness.

9 volt releases #11, 25 & 32 all bundled up for one special price!

2lp in gatefold sleeve with cd included, camilles fourth studio album including allez allez allez, létourderie and tout dit.

new comers laughing man and noah skelton release their -element ep-, on silencio. the first track, -element-, is a collaboration between the two artists. this combined effort rumbles into the clearing, dragging the dance floor and its occupants along with it for a riveting ride throughout its duration. a beguiling bass line, complimented by underlying ethereal sounds, seamlessly contrasts and connects to form a compelling rhythm. riddled with space age laser samples that periodically bubble to the surface, this track consistently pulls listeners in by pushing out good vibrations. on side b laughing man goes solo with the second track -1939-. this dynamic offering is a model of contemplative creation that basks in its own thought provoking ambience. a series of scintillating samples, echoing in waves of varying intensity, are served up with satisfying drums and a clever assortment of claps. this release has a way of finding your mind and marinating in the sub-conscious because it s just that deep.

new york native shawn o’sullivan returns to avian as 400ppm with debut lp, ‘fit for purpose’.
as an artist, o’sullivan has long since explored the juncture between hard-hitting, functional dance floor material and more lofty, conceptual work. from a purely structural standpoint, the artist’s return to avian bears all the hallmarks of previous output under the alias, utilising the same palette found on early ep’s for guy brewer’s label. stripped back and driven, the music marries caustic drum-machine polyrhythms with warping, pitch bent leads and characteristically atmospheric use of reverb. it’s a decidedly dance floor offering, but the music comes refracted through o’sullivan’s own lens, with plenty of elegant references to a career spent exploring much of the techno genre’s periphery, from noise to new wave. crushed vox bubble up from beneath wrought-iron percussion and the artist takes time to step away from high energy 4×4 workouts to explore more complex rhythmic structures and harsh, low tempo grooves.

in 2017, the finnish jazz scene seems to bubble with talent. one of the most prominent players in this mix is by definition, trumpeter jukka eskola. after over a decade of adventures in different spaces of jazz – from the dance floor burn of the five corners quintet to the raw expressive modes of mikko innanen’s small big band, jimi tenor’s cosmic jazz and his own prime cti styled solo recordings – eskola takes things back to bare basics. and as usual, when it’s done right, it’s the best thing out there.

following some new gems on the great waxtefacts imprint, strip steve delivers a beautifully crafted cosmic ep as the second release on berlin based label man band. with sounds ranging from ambient to raw, galactic workouts, this 5 tracker is a must have for listening just as much as dancing. ‘deep within the distant galaxy, a spaceship cruised under the glow of exotic stars. it’s metallic frame glimmered beneath the shimmering light as it surged forwards through time and space. it was embarking upon a spectacularly perilous odyssey, a journey into the abyss. its passengers sat eagerly watching their planet vanish out of sight through bubble windows. they made jokes amongst one another, cracking a smile as appropriate, but they were scared. - words by the ransom note, inspired by the track odyssey. vital sales points: played by alex from tokyo at rex club, paris and cocktail d amore, berlin. track odyssey premiered by the ransom note

this is land of dance, we’ve reached the tenth release and we want to celebrate it with an album, fifteen tracks and artists divided into four vinyls (two double pack) including music by: seldom seen aka santiago salazar, jared wilson, ricardo miranda, nightjars aka analogue cops, healing force project, boston 168, drvg cvltvre, xxxv gold finger, jann, passenger and dave hargadon (slowburn) plus some new names such as: andrea vietti, seven sins and müskije lycheeni. the tracklist has been thought as a dj set that evolves from ambient to jazz to house to techno. this is land of dance!

otis junior & dr. dundiff release the follow up album to their critically acclaimed “dubplates from jakarta #5” release. the vinyl lp includes a download code.

brand new transatlantyk release contains elusive synth works of sasha zakrevska aka poly chain. she likes to call herself a ukrainian ambient chavette and the title of her debut album is a tongue-in-cheek spin on eno s classic. music for candy shops is much more sticky and syrupy than its famous predecessor though. in every track on this record poly chain s rich and warm synth textures are glazed with another layer of radioactive sweeting. from atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it s all there. let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. use with caution! available as a 200 copies only vinyl lp

timely outing from two grand masters of exploratory electronics. kassel jaeger is the moniker of french musician françois bonnet who works at the grm and has released a number of books including the highly regarded the order of sounds, a sonorous archipelago published by urbanomic in 2016. jim o rourke is known to most through his explorations of the song and shapes, the high and low, the east and south. wakes on cerulean is a joint adventure where process folds upon process and the operation of procedure remains unknown. amongst a mysterious cloud of excited high frequencies tiny whistling howls. frog leaps in technique lay out a thrilling and uplifting journey that runs from the soothing to ecstatic and back to the buoyant again. wakes on cerulean is a staggering feast of the joys found in electronic process. a malleable bubble of hovering excitement, melody and joyous refrain.

mentha records calls on the services of hakim murphy to rock a record titled ambidextrous to amphibious. the four track 12 inch illustrates murphys ability to create different styles, tempos, and textures. the a side begins with sickness, which displays a sparkling synth line that grooves from beginning to end. a2 is a beatdown tune called spaceness is filled to the brim with texture and harmonic goodness. an acid house banger called merge starts the flip side that features a bubble acid line and moving percussion. panty hose silences ends the record with its jazzy influenced tones and flowing arp lines. a release that is good for home, club, and warehouse use.

the protagonist of this extended longplayer is the remarkable falke. he is the unseen hermit of the clan and arrested the labels attention due the things he does best: sitting at home collecting cheap ancient technology and creating his own artistic universe, influenced by his distinct sense for the simplistic beauty in everyday life. after two records and several compilation contributions, the label collected ten tracks to introduce his own extensive world properly. post-socialistic aesthetic detects 90s electronica to merge into a careless version of house.

underground quality boss jus ed is beginning 2017 in fine fettle, with transition his first album since 2014 heading up a spate of vinyl releases. the triple-vinyl set is full of evocative, immaculately produced deep house treats, from the alton miller style intricacy of the loop 222 bodin strasse and shuffling, yearning the day prince died, to the rich bass and dancing drum machine hits of medellin my new grooveland (inspired, apparently, by a recent trip to colombia), and the low-slung, motor city grooves of sci-fi connection. best of all, though, is the rushing positivity of spring is near, where intertwining synth lines bubble away over a fizzing, techno-influenced rhythm track.

3 dogs roaming down led lit high - wayz on the way to know where. air etchings liberated from folds of plastic, psychically arranged scent communication, and dispensed thought finally interlock on a special dj double pack. produced by c. thiessen, t. matt, j. matt with special guest appearance on a by daddymouse. a&r by 4claudio.